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Carl Fenton’s Orchestra recorded “Whose Izzy is he (Is he yours or is he mine?)” for Brunswick records in New York City on January 25, 1924. Vocals by William Reese Jones aka Billy Jones. #1920s #foxtrot #1924 #danceband #roaring20s #foxtrot #brunswickrecords #carlfenton #billyjones #victortalkingmachine #victrola #vvxi #78rpm #78rpmrecords #recordcollector #oldrecords #oldmusic #shellac #hismastersvoice #antiquerecordplayer #phonograph
Benny Goodman brought in Ella Fitzgerald, then just 19 years old, to fill in for an ill Helen Ward for three Victor recording sessions. This was a bold move as Ella was under strict contract with Decca and they claimed these recordings were a breech of contract. Threatening a lawsuit after a very short time available to the public, the records were recalled and reissued with another singer, Francis Hunt, and deleted from the Victor catalog all together. #1936 #1930sstyle #1930smusic #ellafitzgerald #bennygoodman #bigband #swingmusic #jazz #fyp #foryoupage #78rpm #78rpmrecords #recordcollector #hmv102 #hismastersvoice #portablegramophone #antiquerecordplayer
I recorded this back in the beginning of June but never uploaded it. Here’s a tune by Teddy Powell and his Orchestra with vocals by Ruth Gaylor. “All I Need” was recorded in New York City on April 23, 1941. #bigbandmusic #bigband #foxtrot #1940s #1940smusic #RCABluebird #bluebirdrecords #78rpm #78rpmrecords #78rpmcommunity #recordcollector #hismastersvoice #hmv102 #portablegramophone #antiquerecordplayer #oldrecords #oldrecordplayer
I’ve been after this record for awhile now and I finally got myself a decent copy, along with a few other Benny Goodman Victors that were delivered today. The Glory of Love was recorded in Chicago, Illinois on April 23, 1936. B side is You Can’t Pull The Wool Over My Eyes. Both sides feature vocals by Helen Ward. #bigband #bigbandmusic #swing #1930s #1936 #foxtrot #bennygoodman #helenward #gloryoflove #rca #victorrecords #78rpm #78rpmrecords #recordcollector #oldrecords #oldmusic #shellac #hismastersvoice #hmv102 #portablegramophone #antiquerecordplayer
Happy Thanksgiving to all my friends and followers on here. Thank you for all your support and comments. “Thanks To You” was recorded by Gus Arnheim and His Cocoanut Grove Orchestra in Hollywood, CA on March 2, 1931. Vocals by Bing Crosby. #thanksgiving #bingcrosby #victorrecords #rcavictor #bigbandmusic #bigband #foxtrot #1930smusic #78rpm #78rpmrecords #78rpmcommunity #recordcollector #hmv102 #hismastersvoice #portablegramophone #antiquerecordplayer #oldrecords #oldrecordplayer
You’ve Got Me This Way by Jimmy Dorsey and His Orchestra was recorded in New York City on October 1, 1940. Vocals by Helen O’Connell. #bigband #foxtrot #swingmusic #1940smusic #bigbandmusic #deccarecords #jimmydorsey #78rpm #78rpmrecords #78rpmcommunity #78rpmcollector #recordcollector #hismastersvoice #hmv102 #portablegramophone #winduprecordplayer #antiquerecordplayer
Diva Records was an American record label from 1925 to 1932 that sold records through W. T. Grant retail stores. It was a division of Columbia Records. #jazz #1920s #1930s #78rpm #78rpmrecords #recordcollector #hmv102 #portablegramophone #antiquerecordplayer
This is the 1937 Victor re-issue. #1930s #1935 #1937 #bigband #swing #jazz #foxtrot #bennygoodman #victorrecords #78rpmrecords #78rpmcommunity #78rpmcollector #recordcollector #hmv102 #hismastersvoice #portablegramophone #antiquerecordplayer
Miller recorded a number of versions of this song, some of which were broadcast on radio programs such as his Chesterfield Broadcasts in 1942. He released the song through Victor in 1943, as the B-side to a re-release of "Blue Rain". This recording featured Maurice Purtill on drums and Mel Powell on piano. Billboard magazine ran an advert for the release that stated that "no hep nickel will miss this one!". Miller made a recording for the Treasury Star Parade—syndicated by the United States Department of the Treasury—on February 11, 1944. This recording was included on Magic Records' compilation The Glenn Miller Service Orchestra in the USA and Europe (Volume II). Miller also recorded a version of the song directly for broadcast on CBS Radio's I Sustain the Wings show. The recording was made at the war bond rally at the Chicago Theatre on April 15, 1944. Miller later recorded the song in Studio One at Abbey Road Studios (then known as EMI Studios) on November 27, 1944, as part of a propaganda broadcast. Recorded under the name "The American Band of the Allied Expeditionary Force", the session became Miller's last recording session before his disappearance. The broadcast was later issued on a number of albums as The Lost Recordings. #1940s #1940smusic #bigband #swing #WWII #glennmiller #victor #foxtrot #78rpmrecords #78rpmcollector #78rpmcommunity #recordcollector #hmv102 #hismastersvoice #portablegramophone #antiquerecordplayer