A_man_of_music3 Mp3 Free Sound Fffects Download

"Yah Mo B There" is a contemporary R&B song, recorded as a duet by American singers James Ingram and Michael McDonald. It was written by Ingram, McDonald, Rod Temperton and producer Quincy Jones. The song originally appeared on Ingram's 1983 album, It's Your Night, via Jones's Qwest Records label. It was released as a single in late 1983, peaking in 1984 at No. 19 on the U.S. Hot 100 chart and No. 44 on the UK Singles Chart. A remixed version by John Benitez reached No. 12 in the UK, during the spring of 1985. It has subsequently appeared on several of Ingram's and McDonald's greatest hits albums, as well as various 1980s compilation albums. #jamesingram #michaelmcdonald #yahmobethere #1983 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k #creatorsearchinsights
"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song. Within the story of The Sound of Music, it is used by the governess Maria to teach the solfège of the major musical scale to the Von Trapp children, who learn to sing for the first time. According to assistant conductor Peter Howard, the heart of the number—in which Maria assigns a musical tone to each child, like so many Swiss bell ringers—was devised in rehearsal by Rittmann (who was credited for choral arrangements) and choreographer Joe Layton. The fourteen note and tune lyric—'when you know the notes to sing...'—were provided by Rodgers and Hammerstein; the rest, apparently, came from Rittmann. According to Howard, "Rodgers allowed her to do whatever she liked. When we started doing the staging of it, Joe took over. He asked Trude for certain parts to be repeated, certain embellishments." In the stage version, Maria sings the song in the living room of Captain von Trapp's house shortly after she introduces herself to the children. However, when Ernest Lehman adapted the stage script into a screenplay for the 1965 film adaptation, he moved the song to later on in the story. In the film, Maria and the children sing this song over a montage as they wander and frolic over Salzburg. The lyrics teach the solfège syllables by linking them with English homophones (or near-homophones): 1. Doe: a deer, a female deer, alludes to the first solfège syllable, do. 2. Ray: a drop of golden sun, alludes to the second solfège syllable, re. 3. Me: a name I call myself, alludes to the third solfège syllable, mi. 4. Far: a long, long way to run, alludes to the fourth solfège syllable, fa. 5. Sew: a needle pulling thread, alludes to the fifth solfège syllable, sol. 6. La: a note to follow so, alludes to the sixth solfège syllable, la. 7. Tea: a drink with jam and bread, alludes to the seventh solfège syllable, ti. #thesoundofmusic #doremi #1965 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k #creatorsearchinsights
"(Forever) Live and Die" is a 1986 song by the English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their seventh studio album, The Pacific Age. Paul Humphreys sings lead vocals on the track. The single peaked at No. 11 on the UK Singles Chart. It was a top 10 hit in Canada and several European territories, and a top 20 hit in the United States, Australia, New Zealand, and Ireland. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. #orchestralmanoeuvresinthedark #omd #foreverliveanddie #1986 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k
Silent Circle is a German Eurodisco band formed in West Germany in 1985. The band consists of vocalist Martin Tychsen (Jo Jo Tyson), keyboardist & composer Axel Breitung, and drummer Jürgen Behrens (CC Behrens). Silent Circle first performed in 1979 but soon parted ways. In the early '80s, the trio reformed and decided to form a more solid group. Hence, that marked the beginning of Silent Circle. Their first single, "Hide Away - Man is Comin'!", gained considerable limelight followed by a number of other successful singles like "Touch in the Night", "Stop the Rain", "Love is Just a Word" and "Time for Love". #silentcircle #touchinthenight #1985 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k
"Back to Life (However Do You Want Me)" is a song by British R&B band Soul II Soul featuring the Reggae Philharmonic Orchestra. It is an alternate version of a song that appears on their secondary debut album, Club Classics Vol. One (1989) (titled Keep On Movin' in the United States), and was released as its second single on May 30, 1989 by Virgin. "Back to Life" is one of two songs on the album featuring British singer Caron Wheeler and gained success in both North America and Europe, topping the charts in the Netherlands and the United Kingdom and peaking at number four in the United States. Its music video, directed by Monty Whitebloom & Andy Delaney, of Big TV!, sees the group performing in a forest. Soul II Soul won their first Grammy Award for Best R&B Performance by a Duo or Group with Vocal with the song in 1990. It was later included on a tenth-anniversary edition of the album. This song is said by its writer and singer, Caron Wheeler, to have been written about a near death experience in which she nearly passed on but was sent "back to life" to fulfill the rest of her mission on Earth, saying: "Back to Life" came about from my own pain and I nearly died... I nearly died and literally came back to life and I was mad, because where I had gone in between that was so wonderful... but I basically didn't pass over at that point... I was mad, I was like, "Why do you want me here? However do you want me? What do you need from me?" You know, I was talking to my creator, but it sounds like a party song on the record... Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. #souliioul #backtolifehoweverdoyouwantme #1989 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k
"A Woman Needs Love (Just Like You Do)" is a 1981 song recorded by American R&B vocalist and songwriter Ray Parker Jr., along with his group, Raydio. It led their 1981 album, A Woman Needs Love, the last Parker recorded with Raydio. The song was written as an antithetical answer to the earlier Raydio hit, "Jack and Jill," also written and performed by Ray Parker, Jr. "Jack and Jill" is written from "Jack's" perspective of being neglected, just as "A Woman Needs Love" is written from "Jill's" perspective, as indicated by the lyrics, "by the time poor Jack returned up the hill, somebody else had been loving Jill." Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. #rayparkerjrandraydio #awomanneedslovejustlikeyoudo #1981 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k
Featuring Joy Huerta. As a tribute to Spanish-speaking fans across Latin America, FOREIGNER presents a brand-new Spanish version of one of their most loved hits, "I Want to Know What Love Is." This duet is performed by the band’s own Luis Maldonado, who handled lead vocals on FOREIGNER’s 2025 Mexico and South America Tour, and acclaimed Mexican singer-songwriter Joy Huerta from ‪@jesseyjoyoficial‬. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. #foreigner #quierosabersiesamor #2025 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k
"Boys Don't Cry" is a song by English rock band The Cure. It was originally released in the UK as a stand-alone single on June 12, 1979, and was included as the title track on Boys Don't Cry, the American equivalent to Three Imaginary Boys. In April 1986, it was re-released under the title "New Voice · New Mix", in which the original track was remixed and the vocals re-recorded. The 7" mix of the new version has not appeared on any subsequent release by the Cure, but can be heard in the music video for "Boys Don't Cry". It was released to promote Standing on a Beach; however, the original version of the song appears on the album. The 12" version "New Voice · Club Mix" was included on the 2018 remastered Deluxe Edition of Mixed Up. The video, released in 1986 to promote the "New Voice New Mix" re-recording, features three children, actors Mark Heatley, Christian Andrews and Russell Ormes miming the song. Behind a curtain, Smith, Tolhurst and Dempsey (in his only appearance with the band since his 1979 departure), appear as the children's shadows, with red eyes, an effect that was attained by painting their eyelids with fluorescent paint. Written by band members Michael Dempsey, Robert Smith and Lol Tolhurst, the lyrics tell the story of a man who has given up trying to regain the love that he has lost, and tries to disguise his true emotional state. In an interview with the NME, Smith stated: And as an English boy at the time, you're encouraged not to show your emotion to any degree. And I couldn't help but show my emotions when I was younger. I never found it awkward showing my emotions. I couldn't really continue without showing my emotions; you’d have to be a pretty boring singer to do that. So I kind of made a big thing about it. I thought, 'Well, it’s part of my nature to rail against being told not to do something'. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. #thecure #boysdontcry #newvoicenewmix #1986 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k
"9 to 5" is a song written and recorded by American entertainer Dolly Parton for the 1980 comedy film 9 to 5. In addition to appearing on the film's soundtrack, the song was the centerpiece and opening track of Parton's album 9 to 5 and Odd Jobs, released in late 1980. Released as a single in November 1980, the song garnered Parton an Academy Award nomination for Best Original Song at the 53rd Academy Awards and three Grammy Award nominations including Song of the Year, winning her the awards for Best Country Song and Best Country Vocal Performance, Female at the 24th Annual Grammy Awards. Parton received an additional Best Album of Original Score Written for a Motion Picture or Television Special Grammy nomination for the 9 to 5 soundtrack alongside composer Charles Fox. For a time, it became something of an anthem for office workers in the US, and in 2004, it ranked at number 78 on the American Film Institute's 100 Years...100 Songs. The song was written for the comedy film 9 to 5, starring Jane Fonda, Lily Tomlin, and Dolly Parton in her film debut; both the song and the film owe their titles to 9to5, an organization founded in 1973 to bring about fair pay and equal treatment for women in the workplace. A few months before Parton's song and the film, Scottish singer Sheena Easton released a single called "9 to 5" in the UK. When Easton's song was released in the U.S. the following year it was renamed "Morning Train (Nine to Five)" to avoid confusion. Easton's single topped the Billboard Hot 100 chart three months after Parton's song left that spot. Despite similar titles, the two songs differ in lyrical themes. While Parton's song is about a working woman, Easton's song is about a woman waiting at home for her lover to return from work. #dollyparton #9to5 #1980 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under10k #roadto10k #creatorsearchinsights
"Return of the Mack" is a song written and recorded by British R&B singer Mark Morrison, released by WEA and Atlantic as the third single from his debut album by the same name (1996) (contrary to the lyrics, this was not a 'comeback song'). The song was produced by Morrison with Phil Chill and Cutfather & Joe, and topped the UK Singles Chart a month after its release, then became a European and Australian hit. In the United States, it reached number two on the Billboard Hot 100, becoming Morrison’s highest charting hit in the U.S., and went platinum. The music video for the song, directed by Jake Nava, was released in the United Kingdom in March 1996 and in the United States in February 1997. Billboard magazine featured "Return of the Mack" in their lists of "Billboard's Top Songs of the '90s" in 2019 and "500 Best Pop Songs of All Time" in 2023. The song's beat is sampled from the song "Genius of Love" by American band Tom Tom Club. "Games" by Chuckii Booker was also sampled, as well as fragments from "UFO" by ESG, "Rocket in the Pocket" by Cerrone, and "Feel The Heartbeat" by The Treacherous Three. #markmorrison #returnofthemack #1996 #fyp #fypシ゚ #fypシ゚viral #music #musica #musique #musik #музыка #glazba #musiclover #musicvideo #trending #trendingsound #followback #teamwork #under100k #roadto100k